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top prev next bottom Female Statue -- hours 35¾ -- Can$222.53 -- Advanced

The book "Carving Classic Female Figures in Wood" by Ian Norbury I had already for many years. It was only now that I figure that I would be capable to "carve" a Female Statue. In Ian Norbury book I was attracted to the torso. However, I felt that it was too much like a study of the female body. I wanted a Female Statue from top to bottom.

There are many choices of wood to use like tupelo, basswood, etc. While deciding on the height of the statue and looking for a block of wood that I didn't have to glue up I happen to find a block of basswood of 6" x 12" x 46". It was surprising heavy weighing 22.4 kg (49.4 lbs).

Terminology is used as related to Female Statue. FRONT is her front, BACK is her back, LEFT side is her left side, and RIGHT side is her right side.


My lady friend wanted me to give the Female Statue a name.

I had a vision of a lady walking through a forest with basswood trees. She ended up at a seclude open space where the spring sun shines. She took of her clothes, loosened her long hair, plaited her hair in a top bun while enjoying the spring sunshine on her body.

I decided to call her Lady Basswood.

top prev next bottom Pictures

Click on a picture to get a larger picture and then used the back button of the browser to return.

Book from Ian Norbury
1: Book from Ian Norbury
Frontview and sideview templates
2: Front view and side view templates
Rough basswood block hand planed to fit in planer
3: Rough basswood block hand planed to fit in planer, 22.4 kg
Basswood block planed smooth
4: Basswood block planed smooth
Basswood block front and back planed parallel
5: Basswood block front and back planed parallel
Basswood blank block ready for use
6: Basswood blank block ready for use, 10.4 kg
Front template fitted on blank
7: Front template fitted on blank
Left side template fitted on blank
8: Left side template fitted on blank
Right side and front traced on blank
9: Right side and front traced on blank
Front and left side traced on blank
10: Front and left side traced on blank
9/16" auger drill bit
11: 9/16" auger drill bit
Oak guide block with 9/16" perpendicular hole
12: Oak guide block with 9/16" perpendicular hole
Front and left side traced on blank
13: Holes next to feet for ease of band saw turning
Holes between arms and head to ease excess wood removal
14: Holes between arms and head to ease excess wood removal
Front of female statue cut out using the band saw
15: Front of female statue cut out using the band saw, 5.1 kg
Left side cut off is padded so that the top is horizontal when cutting of the excess
16: Left side cut off is padded so that the top is horizontal when cutting of the excess
Left side and back
17: Left side and back
Left side and front
18: Left side and front
Right side and front
19: Right side and front
Right side and back
20: Right side and back
Part of the waste; mind you that the left and right sides will be waste too after we have traced their shape onto the statue
21: Part of the waste; mind you that the left and right sides will be waste too after we have traced their shape onto the statue
Preparing for the front for the excess wood removal
22: Preparing for the front for the excess wood removal
Removal of excess wood at the lower front legs
23: Removal of excess wood at the lower front legs
Front waste removal completed
24: Front excess wood removal completed
Unexpected rot revealed around left waist side
25: Unexpected rot revealed around left waist side
Back waste removal completed
26: Back waste removal completed
The rot shows better now
27: The rot shows better now
Almost done with rough wood removal
28: Almost done with rough wood removal
Almost done with rough wood removal
29: Almost done with rough wood removal

top prev next bottom Plans, Drawings, Sketches (inches)


Throughout the project I will refer to the page(s) of Ian Norbury's book (picture 1).

The required templates for front view and left side view I took from page 18, augmented those with the pictures on page 8, and then enlarged them to 28" height including the pedestal (picture 2).

I was told that in West Coast Haida carving you cannot use sand paper; only carving knives and chisels. For this project I will use every tool.

top prev next bottom Materials List (inches)

no. description length width thickness suggested basic material, comments
1 Blank block 28"  9½"  5½" Basswood

top prev next bottom Required Tools

top prev next bottom Construction

Making the Blank (block)

The rough basswood needed to be hand planed to make it fit in my planer machine which has a capacity of 5.9" (picture 3) and then machined down (picture 4). Picture 5 show basswood block with the front and back machine planed parallel. Next I cut of a length of 29". Then I made one side perpendicular to the front with the jointer, on the table saw I cut the blank block to the required width and make that side perpendicular to the front (picture 6). At this point the weight of the blank is only 10.5 kg.

The cut off pieces of basswood can be used for less ambitious projects.

Making the Templates

Cut studio board to the size of the front and left side of the blank. Place the templates from picture 2 on the studio board and cut out the template and studio board. Place the templates on the blank (pictures 7 and 8) and secure in place with tape.

Trace the front template onto the front of the blank. Trace the left side template onto the left of the blank. Move the left side template to the right side and trace that on the blank (pictures 9 and 10).

Band sawing the Blank

I need 9/16" perpendicular holes next to the feet for ease of band saw turning and between arms and head for ease of waste removal. However, my drill press cannot accommodate the the length of the auger drill bit (picture 11) and the thickness of the blank. My only option is to use my hand drill, but I have to make sure that the holes are perpendicular to the front surface. Hence I used a piece of oak and with the drill press I drilled a 9/16" perpendicular hole as a guide hole for the hand drill (picture 12).

Mark the spots where holes are needed on the blank. Put the blank on a sacrifice board to prevent tear out on the back side. Put the guide block on top with the guide hole where a hole is needed in the blank, and clamp everthing together. Drill the holes (pictures 13 and 14).

My band saw has a 6" capacity so I can band saw the front following the traced lines. Unfortunately, for the left side I need a 9½ band saw, which I don't have. That is why I also traced the left side template onto the right side. Carefully remove the waste from left to right or from right to left in a straight line using hand saws, chisels, etc.

Cutting out the front of the female statue was not too difficult (picture 15).

My idea is to remove the excess wood from the two side pieces and then to put them back against the statue and trace the excess areas onto the sides of the statue. In order to do that flat side of the left side has to be parallel to its bottom when we band saw the edges. We do that with filler pieces (picture 16).

After removing the excess we put the left side piece back against the left side of the statue and trace the profile onto the statue (pictures 17 and 18).

We do the same with the right side (pictures 19 and 20). Now we can add the left and right sides to the waste pile (picture 21).

Now the handwork is beginnen using chisels to remove the excess wood on the front Or as a lady friend tactfully whispered in my ear: "You are slimming the Lady Basswood." See pictures 22 to 24. Unfortunately I encountered a nasty rot around the left waist side (picture 25).

Next we remove the excess wood on the back (picture 26) and revealing the rot even better (picture 27).

Almost done with rough wood removal (pictures 28 and 29).

top prev next bottom References

Book Carving Classic Female Figures in Wood by Ian Norbury, 2004, ISBN 1-56523-221-6.

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